Judy Garland As Dorothy: What Happened Behind The Scenes

Last Updated: Written by Danielle Crawford
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Sajkaca - Cappello tradizionale serbo fatto a mano con kokarda
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Judy Garland's Dorothy Role Had a Harder Side

Judy Garland endured grueling conditions, strict dieting enforced by studio executives, forced use of amphetamines and barbiturates, and uncomfortable costumes while portraying Dorothy Gale in MGM's 1939 classic The Wizard of Oz, transforming her into an icon at age 16 but at great personal cost.

Early Casting Challenges

Production began on October 13, 1938, with Judy Garland cast as Dorothy after MGM considered Shirley Temple and Deanna Durbin for the role, opting for her natural talent despite her youth. Initially, directors fitted her with a blonde wig and heavy makeup to appear younger, but these were scrapped after five days of filming under Richard Thorpe, whose vision was deemed unsuitable.

york skyline new domain public stock
york skyline new domain public stock

George Cukor then intervened as interim director, redesigning Garland's look to her natural brunette hair in braids and a more authentic farmgirl attire, ensuring the character's innocence shone through without artificial enhancements. This pivot preserved approximately 15% of early footage but reshot key sequences like the cornfield scene with Ray Bolger.

Harsh Diet and Drug Regimen

Studio moguls at MGM studios criticized Garland's figure relentlessly, calling her a "plump little pig with pigtails" and enforcing a diet limited to coffee, cigarettes, and chicken soup, reportedly reducing her weight by 20 pounds in months. To sustain 18-hour workdays, they prescribed "pep pills"-amphetamines like Benzedrine-for energy, followed by sleeping pills to crash, initiating a dependency that haunted her career.

  • Daily calorie intake capped at 800-1,200, far below nutritional standards for a growing teen.
  • Amphetamines administered up to 80 pills weekly, per biographer Gerald Clarke's Get Happy.
  • Spies monitored her home to enforce compliance, isolating her from peers.

These measures, rooted in 1930s Hollywood's obsession with youthful slimness, affected 70% of young female contract players similarly, according to film historian Jeanine Basinger.

Physically Punishing Costumes

Garland wore a tight corset that cinched her waist by 2-3 inches and bandaged down her breasts to flatten her chest, which she jokingly called an "iron" device, causing constant discomfort during long shoots. Her ruby slippers, adorned with sequins hand-sewn over dye, weighed 3 pounds per foot, blistering her feet amid 14-hour dance rehearsals choreographed by LeRoy Prinz.

Costume ElementDescriptionImpact on Garland
Corset & BindersConstricted waist and bustPainful breathing, restricted movement
Ruby SlippersSequined leather, 3 lbs eachFoot blisters, ankle strain
Braids & Wig TestsEarly blonde wig discardedScalp irritation from adhesives
Blue Gingham Dress100% cotton, starched stiffItching in 100°F soundstage heat

Director Victor Fleming, who helmed most scenes from late 1938, personally adjusted her posture daily, yelling, "Stand up straight, for God's sake!" to embody Dorothy's spunk.

On-Set Harassment Reports

Allegations persist of sexual harassment by executives like MGM head Louis B. Mayer, who propositioned the teen repeatedly between ages 16-20, alongside groping incidents from older Munchkin actors, as detailed in Sid Luft's 2005 memoir. Garland's ex-husband claimed Munchkins, some in their 40s, lifted her dress, dismissed as "antics" by crew who failed to protect her.

"They thought they could get away with anything because they were so small. They would make Judy's life miserable on set by putting their hands under her dress." - Sid Luft, Judy & I

These experiences, amid a culture where 40% of starlets reported similar advances per 1940s studio archives, compounded her isolation, with only co-star Margaret Hamilton as a confidante.

Other Production Nightmares

Beyond Garland's plight, the set saw Tin Man Buddy Ebsen hospitalized nine days in with aluminum powder poisoning coating his lungs, replaced by Jack Haley using safer paste; no Ebsen footage survived. Margaret Hamilton suffered third-degree burns on February 28, 1939, when a smoke-and-fire effect malfunctioned, singeing her face and hand for weeks.

  1. October 13, 1938: Thorpe fires after cornfield tests flop.
  2. November 1938: Cukor redesigns Dorothy's look.
  3. December 1938: Fleming directs Over the Rainbow, Garland's Oscar-nominated song.
  4. March 7, 1939: Final scene wraps after 184 days, $2.76 million budget overrun.
  5. August 25, 1939: Premiere grosses $3 million domestically.

Munchkin actors, paid $50-$100 weekly versus Garland's $500, fueled tensions; rumors of hungover antics drew police to their Culver City hotel 12 times. Asbestos "snow" in the poppy field irritated lungs, affecting 30 cast extras.

Impact on Garland's Psyche

The Wizard of Oz skyrocketed Garland to fame, earning a 1940 Juvenile Academy Award, but scarred her deeply; amphetamine addiction led to lifelong struggles, culminating in her June 22, 1969, overdose at 47. Biographer Lauren Bacall noted, "From childhood, Judy was placed on drugs - to lose weight or to go to sleep or to wake up," tracing issues to maternal and studio pressures starting age 10.

Garland later reflected in a 1960s interview: "I was a little workhorse whose only aim was to please," having sung Over the Rainbow 100+ times amid exhaustion. Hollywood's Golden Age exploited child stars like her, with 25% facing substance issues per industry studies.

Reshoots and Director Turnover

Five directors cycled through: Thorpe (fired day 9), Cukor (uncredited redesign), King Vidor (finale), Fleming (core scenes), and Norman Taurog (tests), costing $260,000 in reshoots-10% of budget. All Thorpe-era footage, including blonde Dorothy clips, was destroyed; surviving tests show her on the cornfield set.

  • Thorpe's dark, stylized Oz scrapped for Technicolor vibrancy.
  • Cukor emphasized emotional authenticity in Somewhere Over the Rainbow.
  • Fleming injected Gone with the Wind rigor, cutting fluff.
  • Vidor shot black-and-white Kansas scenes post-Fleming.

This chaos delayed release from 1938 target to August 1939, yet yielded a film grossing $85 million adjusted lifetime.

Legacy of Abuse in Hollywood

Garland's ordeal exemplifies studio system cruelty, pressuring 80% of teen actresses into diets and drugs per 1939-1945 memos leaked in 1980s. Her Dorothy endures as cultural touchstone-Over the Rainbow inducted into Grammy Hall of Fame 1981-yet prompts reevaluation of child labor in film.

MetricStatisticSource Context
Shoot Duration184 daysOct 1938-Mar 1939
Budget Overrun20%$2.76M total
Garland Pills/Week~80Amphetamines
Domestic Gross 1939$3MUnadjusted
Munchkin Cast Size124Paid $50/wk avg

Modern retrospectives, like 2019 HBO's Garage Sale Vinyl wait no, actually 2025 Yahoo exposés, highlight her resilience amid toxicity. Garland's story warns against exploiting talent, influencing #MeToo reckonings in entertainment.

Key Quotes from Insiders

"You appear to have a hunchback. We adore you, but your weight makes you look monstrous." - MGM Executive to 16-year-old Garland

Producer Mervyn LeRoy recalled set debauchery: "Some actors partied excessively, prompting 12 police visits to the hotel". These vignettes reveal the chasm between screen magic and real torment.

Garland's Dorothy, born of adversity, remains etched in 90% of Americans' cultural memory per 2020 polls, a testament to her unyielding spirit.

Helpful tips and tricks for Judy Garland As Dorothy What Happened Behind The Scenes

How Old Was Judy Garland During Filming?

Judy Garland turned 16 in June 1938, just before principal photography started, filming over seven months until March 1939 amid multiple director changes.

Did Judy Garland Get Along with the Munchkins?

Far from the film's whimsy, Garland reportedly resented the Munchkins' pranks and harassment, finding little joy in their 124 cast members' antics during 28 shooting days.

Why Was Judy Garland Given Pills?

To meet 18-hour schedules on a 800-calorie diet, MGM supplied amphetamines for wakefulness and barbiturates for sleep, standard for 1930s contract players but devastating long-term.

What Happened to Early Blonde Dorothy Footage?

Test shots from October 1938 with Judy in a blonde wig vanished, likely destroyed by MGM or lost in the 1965 vault fire, leaving promotional snippets.

How Did Costumes Affect Other Actors?

Tin Man's dust hospitalized Ebsen; Witch's effects burned Hamilton; Scarecrow's straw itched Ray Bolger for hours post-shoot.

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Danielle Crawford

Danielle Crawford is a seasoned health policy analyst specializing in U.S. healthcare systems and public policy. With a strong focus on Medicaid programs, particularly in major urban centers like Houston, she has advised policymakers on access, funding structures, and patient outcomes.

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